The event’s highlight, the conference Data (for) culture, will take place on Saturday 1st and 2nd December. Admission is free. Please register ahead of time. The workshops on 1 December are also available by advanced booking only. Other events are free and open to general public.
Conference guests: Adam Greenfield, Angeles Briones, Aleksandra Janus, Anna Nacher, Bogna Świątkowska, Edwin Bendyk, Jan Piechota, Katarzyna Szymielewicz, Karin van Es, Michiel de Lange, Michele Mauri, Marcin Ignac, Łukasz Wróblewski, Patrycja Rudnicka, Patrycja Kaleta-Łuczynowicz
Workshops leaders: Anna Bil, Aleksandra Janus, Angeles Briones, Agnieszka Szklarczyk, Dariusz Szklarczyk, Michele Mauri, Marcin Ignac, Marcin Wilkowski, Sylwia Żółkiewska, Szymon Kaliski
Will social media help us to gain a better understanding of event participants and their needs? Do institutions want to be more transparent by sharing their operational data? How to make use of the research findings to learn the residents’ needs and increase their involvement?
As part of this thematic block we present recent cultural research conducted in Katowice and other Polish cities, including Wroclaw and Warsaw, as well as discuss new methods of studying cultural events.
Bogna Świątkowska (Bęc Zmiana Foundation) – Affable and spontaneous – a study of the audiences of Warsaw’s cultural institutions
The report from the study of the audiences of 30 Warsaw cultural institutions, which was published in January this year by the Culture Department and Marketing Department of the Capital City of Warsaw report from the audience , contains a wealth of detailed information on the regulars of these institutions. The study, which was conducted on such a large sample for the first time, was designed to build better communication with the public, reach new audiences, increase the group of participants attending the events organised by these institutions. The results were surprising and very informative – the main magnet attracting audiences to cultural institutions is not their programme.
Edwin Bendyk (City of the Future | Laboratory Wroclaw) – Culture in the city. Map, space, territory. Presentation of cultural research results as part of Wrocław European Capital of Culture 2016
Culture is becoming an increasingly important sphere of life in contemporary city – not only does it determine its spirit and identity, improve the quality of life of its residents, and bring a positive economic impact, but also actively contributes to creating distinctions dividing the inhabitants of the city into groups and communities that differ in status and prestige. As its relative importance rises, so does the importance and complexity of the phenomena and processes observed in the field of culture. Their understanding requires the use of a variety of tools, from data analysis, through metacultural analysis, to ethnographic research. The presentation will discuss the findings of the research project which was carried out as part of, respectively, Warsaw’s Culture Development Programme and the City of the Future / Laboratory Wrocław (ECC Wrocław 2016).
Karol Piekarski (Medialab Katowice) – Data for culture: when culture researchers get their hands dirty with code
Unlike their counterparts in the business world, cultural institutions and event organisers rarely use data to underpin their operations and decision making. What could we learn from them about the event goers? Can they help us understand better how culture influences the development of the city? Over a period of one year, we have studied dozens of events, collecting data from information and social media services about several thousand events held in Katowice since 2010. During the lecture, we will present the most important findings from the study and share our experience of working in an interdisciplinary team of cultural researchers, analysts, designers and programmers.
Discussion with Edwin Bendyk, Piotr Knaś (Malopolska Institute of Culture), Hanna Kostrzewska (Regional Institute of Culture in Katowice, Medialab Katowice) and Bogna Świątkowska. Venue: Katowice: City of Gardens concert hall 8.00pm – 9.00pm Opening of the exhibition Data (for) Culture. The city-forming role of cultural events, led by: Aleksandra Janus
Results of the study of Katowice’s cultural events presented through of maps and data visualisations.
Even a few years ago, no one would have conceived a thought of Katowice becoming a city associated with culture. Yet, following a brief but intensive period of investment in its cultural infrastructure and cultural events, 2015 saw Katowice join the exclusive international club of UNESCO Creative Cities. Has the city undergone a true cultural revolution? Is Katowice’s current en-vogue status just a passing fad, or could it be a herald of major changes in the city centre?
In order to find out, we teamed up with cultural researchers, designers, programmers and analysts to study responses given by 3633 participants in over a dozen local events, and analyse tens of thousands of posts published in social media and web-based information services. Although the presented results do not offer ready-made solutions and answers, they certainly do provide the data and tools necessary for the discussion and decision-making needed to navigate the city’s future development paths.
For more details see the Medialab Blog.
Radar (Krzysztof Topolski & Micromelancolié)
Emiter (Sinus balticus album premiere)
CDA: Ceglarek & Dybała + AARPS (audiovisual performance)
Karin Van Es (Utrecht University) – Digital Data Analysis: Learning From Failure
In this presentation I discuss the benefit of more openly discussing instances of failure in digital data analysis. These failures are useful and help us to learn and succeed later on. Using concrete examples I discuss a few of such learnings at Utrecht Data School in relation to ethics, social ontology and accountability/verifiability. This endeavor equally highlights the status of data analysis as situated knowledge.
Patrycja Rudnicka (Uniwersytet Śląski) – Psychology and big data
How is our memory, our perception and our privacy, changing in the world in which algorithms have more and more knowledge about us? Why is the choice between convenience and privacy a psychological paradox? Can we understand how big data already conditions our behaviour and what consequences to expect? Never before have psychologists been able to analyse such enormous amounts of data, nor have they addressed the challenges mankind faces today. Big data and psychology are inextricably linked, as the latter is at the heart of designing algorithms, interpreting the collected data, and using it. On the other hand, psychological research helps understand how living in the data-driven world affects people. But first and foremost, however, psychology can help in the design of ethically sustainable and value-based big data solutions, in line with the assumptions of positive technology. The goal of the lecture is to look at big data from a psychological perspective and show how it can help practitioners in different areas design better solutions.
Katarzyna Szymielewicz (Fundacja Panoptykon) – Man versus algorithm: why we need ethical and responsible data analysis
An algorithm is a finite sequence of clearly defined actions, necessary to perform certain tasks. As long as the main areas of their application were science (especially mathematics) and production processes (from cake recipes to cars), things were relatively was simple. The ever growing faith in the possibilities of data analysis, however, has led to the application of algorithms in soft social processes, such as, in particular, predicting human behaviour.
In big data analysis – the new ‘science of man’ – researchers are not after answers to the ‘why’ questions. Instead, the objects of their interest are certain phenomena which quite often occur side by side. The fact that there is no logical connection between them does not matter – ultimately it is not about the actual knowledge and understanding, but about reducing a complex reality into simple patterns that will allow for quick, often automatic, decisions.
What are the implications of such behaviour patterns in social media and other key societal (financial or public) services? How can we defend ourselves against discriminating simplifications and errors that can be very acute from the perspective of an individual, and are still acceptable from the system point of view. Or, are they? Will we be able to impose greater accountability and verifiability on these systems? How can we achieve that?
Discussion moderated by Anna Nacher (Jagiellonian University) with Karin van Es, Patrycja Rudnicka and Katarzyna Szymielewicz
The public data city
The proliferation of (big) urban data drives a research and design agenda that aims to increase and improve civic participation. This agenda around civic media attempts to counter or complement the dominant rhetoric of efficiency and solutionism in corporate smart city visions. The promise of data is that it helps to address some of the complex societal issues that cities face. However, this also gives rise to new questions, like the governance of and by platforms, new inequalities, and issues of what data actually can teach us about urban life. By looking at some cases from the Netherlands, this talk will reflect on the some of the challenges and questions that arise from the datafication of urban life. How can we reimagine data as civic data, fostering engagement among so-called smart citizens with issues of common concern? How can we safeguard and enhance the public qualities and values of urban life in the data-driven city?
Dominikus Baur – You Had Me At 'Data': Onboarding and Visualization
On the internet, the next cat video is always only a couple of clicks away, which makes presenting complex matters online all the more challenging. Most people leave a website after only a few moments if they can't find anything relevant to them or – even worse – if the whole experience frustrates them in any way. Getting this short timeframe right and doing a successful onboarding is therefore crucial – or months of work building a beautiful data visualization will not be seen by anyone. In this talk, Dominikus will discuss how to avoid common pitfalls and present strategies to get the onboarding process right for data visualizations. Given their complexity, they face an especially hard time competing with all the shallowness the internet has to offer. But with the right approach, visitors might just shun all those cute animal videos to do a deep dive into the data.
Ángeles Briones (DensityDesign Lab, Polytechnic University of Milan) – Communication design strategies using data for citizen activism
How to empower citizens to advocate for their views using data as evidence? What design strategies for communicating with data, could improve the reshaping actions of citizen activists? Through case studies of data use in citizen activism, the presentation proposes design data strategies for improving communication that calls to action. The aim is to provide information designers and activists with guidelines for projecting effective communication using data.
Michele Mauri (DensityDesign Lab, Polytechnic University of Milan) – Visualization as a research tool
We are in a moment where infographics and visualizations are requested by everyone since they are catchy, nice, and cool. But are they really useful to understand phenomena? How can we we avoid the risk of making visualizations a sort of obfuscation device? Through two projects in which DensityDesign Lab is involved different uses of visualizations will be presented, highlighting how we tried to answer these questions.
Marcin Ignac – Data as a place
Maps are one of the most common types of visualisations. We use them to explain the world around us, both the physical part with its landscapes, cities and streets but also the infrastructure hidden under the surface that keeps it running: the resources, electrical grid, the internet backbone etc. We lack similar navigational tools for our digital world allowing us to get a holistic view on the situation. In his talk Marcin will discuss how we can use the metaphors of maps and their strengths like context, spatial reasoning to map out data systems infiltrating our everyday life. We will talk about meta-maps for the meta-data infrastructures and exploring digital worlds, and about data that is experienced, not only counted.
Afterparty: DJJD
Afterparty: Mapa (Marcin Dymiter + Paul Wirkus)
Afterparty: INIRE (audiovisual performance)
Afterparty: FOQL + VJ (audiovisual performance)
Afterparty: High Fall (DJ SET)
Afterparty: suprise!
Afterparty: Yamaha Freeride Team + Aheloy!
Afterparty: Lange live (BDK)*
Agnieszka Otręba-Szklarczyk is a sociologist, researcher, analyst, academic lecturer. A graduate of the doctoral program at the Jagiellonian University’s Institute of Sociology, she specialises in quantitative research with a particular focus on the quantitative analysis of textual data. She has carried out many projects for local governments (Marshal Office of the Lesser Poland Voivodship, Krakow City Hall), ministries and government agencies (Polish Agency for Enterprise Development, Ministry of Economic Development, National Centre for Research and Development) in a number areas, including disability, social and civic dialogue, education, labour market, R+D, and innovation. She is also an active educator, teaching classes and leading workshops in the fields of social research and data analysis. As for her research interests, she is most inspired when working with data.
Aleksandra Janus is a museologist, anthropologist and researcher, whose primary interests revolve around the social role of cultural institutions and their relationships with their audiences. She specialises in the analysis and implementation of participatory strategies, audience studies, and providing access to heritage resources. Her research work focuses on studies of cultural institution audiences with a particular interest in the museum visitor experience. She is a regular collaborator with institutions that seek effective ways of engaging public audiences.
Ángeles Briones is a PhD candidate in Communication Design at Politecnico di Milano. She collaborates at DensityDesign Research Lab, a research group which focus on the visual representation of complex, organizational and urban phenomena.Her research explores how design could contribute in the use of data within citizen activism and bottom-up movements in the city context.
Anna Bil is a UI & UX designer, Chilid collaborator (www.chilidagency.pl) and agile enthusiast. She is a graduate of Katowice’s Academy of Fine Arts, where she now works sharing her knowledge with students at the Digital Publishing studio. She has held scholarship from Poland’s President of the Council of Ministers and Minister of Culture, Art and National Heritage. She is also great friend and enthusiast of Medialab.
Since 2006 she has been working at the Institute for Audiovisual Arts, Jagiellonian University, Kraków, Poland. Her research interests include new media art, cyberculture, sound studies, digital textuality and e-literature. She currently pursues a 3-year long research project on the post-digital imagery (“The aesthetics of post-digital imagery: between new materialism and object-oriented philosophy”, grant from Polish National Science Centre). The author of three books in Polish, the newest one published in 2016 focuses on the locative media.
Bogna Świątkowska is the originator, founder and president of the Bęc Zmiana Foundation, which she has used as a platform to complete several dozen projects devoted to public space, architecture, contemporary art and design, as well as competitions targeted at young generation of architects and designers. She is also the initiator and publisher of the nationwide social-cultural magazine Notes.na.6.tygodni.
Jan Piechota, a graduate of the Academy of Fine Arts in Katowice, has been working with the Publishing Department at the BWA Contemporary Art Gallery, Katowice since 2012. His research and development work focuses on relationships between script and architecture. As a designer, he creates publications as well as information and visual identification systems.
Karin van Es (k.f.vanes@uu.nl) is Assistant Professor of Television and Digital Culture at Utrecht University (the Netherlands) and coordinator of the university’s Datafied Society research hub. She is author of the book The Future of Live (Polity Press, 2016) which interrogates the concept of the ‘live’ in the social media era. Recently, she edited (together with Mirko Tobias Schäfer) the volume The Datafied Society: Studying Culture through Data (Amsterdam University Press, 2017). From March to May 2017, she was visiting fellow at the department of Media and Communications at London School of Economics.
Lawyer specialised in human rights and technology. Co-founder and president of Panoptykon Foundation – a Polish NGO defending human rights in the context of contemporary forms of surveillance. Vice-president of European Digital Rights – a coalition of 33 privacy and civil rights organisations. Board member of Tactical Technology Collective and Amnesty International (Poland).Graduate of the University of Warsaw (Law) and the School of Oriental and African Studies (Development Studies). A member of Ashoka – international network of social entrepreneurs.
Łukasz Wróblewski is a PhD holder in Economics (management studies). He is Head of the Chair of Management and Production Engineering at the University of Dąbrowa Górnicza. His research publication output includes nearly 100 volumes devoted to management and marketing issues in cultural institutions. He is Editor-in-Chief of the Berlin-published scientific journal Cultural Management: Science and Education, and Vice-President of the Scientific Society for Organisation and Management, Dąbrowa Górnicza Branch.
Magdalena Krzosek-Hołody is a graduate of Krakow’s AGH University of Science in Technology, specialising in Sound Direction as well as Visual Communication and Graphic Design). She has worked with many cultural institutions as a graphic designer, animator, and sound and image producer. She is currently involved with the Wanda Siemaszkowa Theatre as a multimedia producer, and Muzeum Dobranocek (Museum of Bedtime Cartoons) as a graphic artist and educator. She is also a postgraduate student at the University of Rzeszow working on a PhD dissertation on art in space.
Michele Mauri is designer and researcher at Politecnico di Milano, where he obtained his PhD in design. His research activities are carried out in collaboration with DensityDesign Lab, a research group focused on information visualization and information design. Within the laboratory he coordinates the research, the design and development of projects related to the visual communication of data and information. In addition to his academic work Michele is a freelance information designer mainly working with newspapers. He's one of the creator of the open-source software RAWGraphs.
Michiel de Lange (1976) is an Assistant Professor in New Media Studies, Department of Media and Culture Studies, Utrecht University, Netherlands; co-founder of The Mobile City (http://www.themobilecity.nl), a platform for the study of new media and urbanism; and works as a researcher in the field of (mobile) media, urban culture, identity and play.
Patrycja Rudnicka is a psychologist and Assistant Professor at the University of Silesia, Katowice. He specialises in cyberpsychology and work/organisation psychology, combining these areas to conduct research on the conditions and uses of information technology in organisations and user experience (UX). Her research work involves the psychological aspects of internet activity, primarily in the areas of readiness for new technologies, involvement in social media, and e-learning. As a consultant, he works with professionals from various fields, including designers, engineers, computer scientists and physicians, believing that psychology can help them enhance their professional development.
I'm a creative technologist from Poznań, Poland, and I enjoy building unusual things with code, exploring data, playing with hardware and making tools.
Irma Kozina is an art historian and academic splitting her time between the University of Silesia and the Academy of Fine Arts in Katowice. She specialises in research on modern and contemporary art, methods of artwork interpretation, and the history of urban planning. In 1983-1988 she studied at Institute of Art History of the, Jagiellonian University, Krakow, from which she graduated with a master's degree, having completed a thesis under the supervision of Professor Jan K. Ostrowski. She earned her PhD in 1997 from the University of Wrocław, having successfully defended her dissertation on palaces and castles of Upper Silesia, written under the supervision of Professor Ewa Chojecka. In 2007, she was conferred a habilitation degree at the University of Warsaw for her publication ‘Chaos i uporządkowanie. Dylematy architektoniczne na przemysłowym Górnym Śląsku w latach 1763- 1955” [Chaos and Order. Architectural Dilemmas in Industrial Upper Silesia in 1763-1955 ". As part of the Design Silesia project, she conducted a research project leading to the publication of her book ‘Design Icons of Silesian Voivodship’. 2015 saw the release of her ‘Polski Design’, a book on the history of Polish design. She also runs the ‘Design Icons’ column in ‘ARCH, a specialist magazine published by the Association of Polish Architects.
Dariusz Szklarczyk is a sociologist, researcher, analyst, and consultant in social research and data analysis. He is a graduate of doctoral studies at the Institute of Sociology, Jagiellonian University. He specialises in social research methodology and statistical data analysis. In his roles as head and member of several research teams (e.g. JU, Tischner European University, Social Research Development Foundation), he has taken part in numerous studies devoted to entrepreneurship, education, labour market, innovation, quality of life, quality of public services, politics/political system, and culture (such e.g. a study of the cultural landscape of Polish cities with Marta Klekotko). He is an enthusiast of free software, including the R software environment. He loves interdisciplinarity and combining different exploration methods, and pursues interesting research opportunities wherever he may find them.
Marcin Ignac is a Polish data artist and computational designer focusing on data visualization and generative systems. Since 2012, he has lived in London, where he started his own studio practice Variable in order to pursue his interest in blending design, software and the aesthetics emerging from data, processes and human behaviour. Living in an increasingly data driven world requires new ways of seeing and understanding the systems that shape our life. In his work, Marcin uses code to build tools for probing the surrounding reality in a search to discover the shape of data. Marcin has a background in Computer Science, New Media Art and Interaction Design. He has exhibited in Poznan, Aarhus, Vancouver, Moscow, London and Paris.
Marcin Wilkowski works at the University of Warsaw’s Laboratory of Digital Humanities (LaCH UW). His academic interests focus on digital history and Web archiving. More information: http://wilkowski.org/
Ryszard Nakonieczny (1965)
Architect, PhD- graduate and academic at the Faculty of Architecture at the Silesian University of Technology in Gliwice, Poland; author of the PhD dissertation entitled: Metropolitan housing architecture of Katowice in the interwar period (1922-1939). Editor and co-author of two books: Great Villas of Poland (Foibos, Prague 2013), The Many Faces of Modernism in Architecture (Śląsk, Katowice 2013). Editor-in-chief of the nationwide quarterly 'Archivolta' in the years 2004-2011
Sylwia Żółkiewska is a designer, educator, expert in mobile application design for culture and education, author of APPetyt na APPlikacje [APPetite for APPlications], Poland’s first guide to the world of mobile applications (publ. by Orange Foundation edition and Creative Initiatives Society ę, 2016). She is a curator at the Culture Shock Foundation’s FAM, Forum Aplikacji i Gier Mobilnych [Mobile Applications and Games Forum], and a mentor in the Digital Centre’s Open Culture Studio.
She has authored several dozen educational materials and lesson plans involving mobile applications, including those for the project "Tablets in Your Library", delivered by the Foundation for the Development of Information Society. She lectures and leads workshops on the design of mobile applications and games for culture and education. More information: www.zolkiewska.pl
A graduate of the Academy of Fine Arts in Katowice. As part of her master’s degree project she wrote ‘Life according to an architect. Utopia in socmodern housing architecture’, an essay containing a theoretical description of the analysed phenomenon an its utopian nature. She is currently working as a teaching assistant at the Book Arts Studio, and a freelance graphic designer specialising in editorial design.
Dr. Dominikus Baur works as a freelance data visualization developer. His award-winning projects for clients like Google, the OECD or Microsoft Research make large datasets accessible, understandable, and usable. His work covers the whole spectrum from mobile apps, to websites, to large, touch-controlled installations – always focused on the people using them. As a computer scientist, he sees his work in the larger context of technological and societal developments and doesn’t shy away from asking critical questions.
More soon.
Adam Greenfield cancelled his speech for reasons other than the fault of the organiser.